If Joseph Nkasa was
sent by minister of agriculture,irrigation and water development George
Chaponda to douse fires currently burning down his political career, then his
decision to take the offer has aggravated his dying musical vocation.
Conversely, if Joseph
Nkasa decided to make money by singing about Chaponda’s predicament without his
acquiescence then he needs to immeasurably apologize to the politician because
this has done him more harm than good.
To keep you in the
loop, Joseph Nkasa, the once upon a time befitting ‘Phungu’ has produced a song
that intends to spruce up the image of Chaponda who has been embroidered in
maize transactions that has been bedeviled by claims of corruption.
In the song Nkasa
equates Chaponda to Joseph, one of the 12 sons of the Biblical Isaac who became
a defacto ruler in Egypt after being sold there by his brothers due to his
closeness to their father.
He further claims that
Chaponda is paying for his mercifulness to help the hunger-stricken and that
people are trying to make him lose ‘his ministry’.
Nkasa declares in the
song that the stones that have been thrown at Chaponda with will accumulate to
his advantage as he will use it to build a house which will make him the
landlord.
In all this the
meaning is that Chaponda will use the ridicule currently peddled about his
involvement in the maize saga to become the leader of this country.
Anyway, my intentions
are not to get the meaning out of this song but to describe the artist Nkasa
who has been dubbed as the master lyricist who ingeniously uses metaphors and
innuendos to craft his songs.
Of course Nkasa came
on the musical scene in the late 90 but it was in the early-to-mid 2000 that he
hogged the limelight with the production of his ‘WayendaWapenga’ toils.
When he materialized again with an album that had tracks like
‘Zosayina-sayina’ the acceptance of lyrical packed songs was overwhelming that
apart from huge sales in 2003 he got over K1 million in Mechanical, Public Performance
and Broadcasting Royalties from the Copyright Society of Malawi (Cosoma).
This was a huge amount of money at the time and it made him go
bananas as he went of spending spree buying property including cars without
thinking of how best to manage his resources.
By the time he got another cheque from Cosoma in 2009 which was
close to K600 thousand, he had still not learnt a lesson on how best to manage
resources.
To show that that his popularity has waned, in the December 29,
2009 Cosomapay out, it was Lawrence Mbenjere who set a new record when he
became the first musician to cart home money in excess of over K2.5 million in
royalties.
Nkasa’s hunt for money has led him to many
places including begging and even performing with Zembani and Alleluya Bands.
But all this has not brought as much money as he wants.
In between though, he almost hit gold when he
started toying with politicians in earnest.
He did a track for
President Bingu wa Mutharika called ‘Mose wa lero’ which helped lift his
stature as a presidential candidate making Mutharika the first to achieve an
over 70 percent landslide victory.
Nkasa has always
claimed never to have received ‘enough’ money with the hit single. But this
remains disputable because he has now gone to bed with different politicians
for the sake of money.
Nkasa composed
a song for the then parliamentary Speaker Chimunthu Banda when he stood for DPP
Presidency, but it emerged that it was not successful at all as Chimunthu
tumbled miserably.
After
the Chimunthu debacle he went into an agreement with PPM’s Mark Katsonga who
allegedly paid K7 million for political songs, jingles and live performances
all to discredit Joyce Banda government and prop up the name of PPM’s torch
bearer.
In
fact media reports indicate that Nkasa signed an MOU with Katsonga to
produce a five-track album – among the tracks, ‘Kulirakwa a Mphawi’, ‘Wanunkha
Malawi’, ‘OpaniYehova’ – at a cost of K1,074,000.00; five promotional jingles
at K500,000 and hold 93 live performances to a tune of K5,580,000 coming to a
total of K7, 154, 000.
While
the effectiveness of this project had not even materialised, Nkasa joined
the PP ranks and did a track for Joyce Banda whom he had discredited in the
other tracks.
The JB track which was
first heard on her Ufulu Radio and state owned MBC presents a litany of development
achievements of the President and why she would be voted to retain power.
While
I can neither accuse Nkasa for his lack of ethical sense nor the
politicians for taking any routes to seek vain glory, one thing that is clearly
standing out is that Joseph Nkasa does not believe in what he
sings.
It is
therefore very difficult for Malawians to even believe in whatever messages his
tracks contain, otherwise his message remains a mockery to voters. Imagine if
one listens to both the Katsonga tracks and the JB song, would they really make
a position based on Nkasa’s position?
No
wonder Nkasa has not succeeded as a musician even when he attempted
to establish his Zosayina Band because he is into
musical prostitution that knows no morals. With such dearth of any guiding
principles looking into one’s career, one cannot prosper in any discipline.
To prove my point, if
the CSOs that are baying for Chaponda’s blood only gave Nkasa money to do a
song against Chaponda, he will do exactly that unashamedly.
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