Showing posts with label Malawi Gospel. Show all posts
Showing posts with label Malawi Gospel. Show all posts

Sunday, 24 September 2017

Eliza Mponya’s dalliance with the devil

I was at sixes and sevens when I bumped into a video by Eliza Mponya on GBS television one good afternoon. My misgivings popped up when I saw how the music video had dramatised the abduction and killing of people with albinism – I hope this is right as there is a raging debate on how best to address brothers and sisters with this condition.

The issue of people with albinism has left most of us with no better explanation on what really is the driving motive behind their persecution and not surprising colleagues in the music industry have tried to come up with a few compositions.
But one effort done by Eliza Namponya is an attempt to do justice on the plight of people with albinism which is not vain.

If you have an opportunity watch Eliza’s track titled ‘Muloleranji’ from the album Ndili ndi Mulungu.

There is a story line that centres on a teenager albino boy who is leaving school premises or is it his home. While walking along a tarmac road a saloon car pulls over and two heavyset mean jumps out and grabs the boy whom they bundle into the boot of the vehicle before speeding off.

They later take him to some gangster looking men while tying his hands. The video shows the bartering of the boy between them after money exchange hands. He is left to his fate that leaves the watchers guessing.

I do not know who this abducted boy is; what arrangement or consent was made to allow for the video production to come out the way it did.
What I find abhorring is the choice of production concept for the music video which is a clear dalliance with the devil and does not manage to leave the bittersweet after effect that it intended.

In steady it is reassuring those that believe in the selling of people with albinism that this is how it is done. Whether these macabre acts lead to financial rewards as the music video encourages or not is not for me to say but it now brings me to question the television stations that would really broadcast such kind of production.

To say the least, this is careless of highest order. The media is crucial in relaying codes that can be decoded differently by the consumers. This is the reason journalists undergo a very strict training on ethical reporting. Musicians are an integral part of media products and what they package ought to also follow strict ethical considerations before getting carried away with excitement in the process of production.

Ever since we started reading, listening and watching stories about the albino killings, there has never been one that followed a conclusive discourse that point out to their fate in the manner in which the music video projects. Yes mutilated bodies have been found but it still does not prove the reasons behind this heinousness brutality.

Music is crucial to carry messages for different intentions, but there is supposed to be decency that has to precede the penchant for recognition and yearning to pamper artists’ pride and self esteem.

There are issues of privacy that are also to be considered. The teenager used in the video should not have been enticed with money to appear the way he did. 

Even if there was consent, still Eliza’s production team should have brainstormed and guided the youthful devotee properly.

The gospel in the lyrics ended up fighting against the picture thus in the eyes of ethically conscious viewers like me. Granted, that Eliza had all good intentions when she decided to produce the video; but it has left us with far-reaching effect which points to a different negative achievement, eventually.

The albino teenager should not have been exposed and disrespected in the manner the video achieved. Yes, works of arts tend to provoke different reactions, but unpalatable is the word for this particular production, especially in the face on the national plight.
   


Wednesday, 3 September 2014

Where is Lloyd Phiri’s song?

When you are a gospel artist you risk being dismissively given the rubbish tag that is cynical of every musical talent and endowment on display.
In the past, I have argued on the basis that every religious belief is a closed system and as a result it has its bedrock on a specific dogmatic belief. This is the reason one can neither question nor disagree with church authorities.
While the explanation is that God is Omnipotent, He was there and shall always be there looks like enough, it still has holes which fail to hold together even a child’s credulity.
This is where a belief will use its ‘closed system’ which simply shuts up you by saying it is the evil powers of Satan that drives you to ask such questions. This snaps any desire to ask more questions. This approach is what is usually looked at as a dogmatic slumber where you wake up at your own peril.
This frame is unfortunately one which most gospel musicians want to use. They sing very bad songs, which they are not even ashamed to put on CDs or tapes and call them albums, comfortable in the belief that no one will point a finger at their mediocrity because it is the Word of God.
Artists that are into gospel take it for granted that since it is gospel music then they could get away with murder.
No, as I have disputed before, I am not going to fall for that; this is a big blue lie. God loves beauty, this is the reason even his creations are beautiful, including Lucifer himself although in believers’ depiction he is shown as a badly-horned looking creature!
Lloyd Phiri, one of the country’s best gospel artists, has proven over the years that he is into the game of music not to hide behind gospel, but because he is a multi-talented artist.
Lloyd started his musical career in 1998 and since then he has released eight albums and six video albums.
To show how good he is, Lloyd has been a producer, an engineer and a session artist of different instruments in his studio. Some of the country’s top-notch gospel artists that have gone through his hands in his studio include Allan Ngumuya, Favoured Sisters, Allan Chirwa, Wyclief Chimwendo, Ethel Kamwendo Banda, The Joshua Generation, Thoko Katimba, Kafita Nursery Choir, Maggie Mangani, the late Geoffrey Zigoma, Bertha Nkhoma, Living Waters Praise Team and Princes Chitsulo.
In fact the famous track from Chitsulo, ‘Ndizayimba’, was done by Lloyd. 
And, if one traces Lloyd from 2001 when he released his first album Musagwedezeke - with hit song ‘Afuna Mulape’, you will appreciate how gifted he is. In fact, MBC listeners awarded this track as the Number One song in the ‘Entertainers of the year’ awards for 2002.
The following year he released Ndagwiritsa and another hit track on this album ‘Sindimatsilira Zachikunja’ won the MBC Entertainers of the Year’ award in the Best Song category for 2003.
He took a break when he went to the UK in 2003 where he started with several performances before enrolling with Manchester Christian College for Bible Studies. He returned in 2006 and opened Llohay Sound Control which is contraption of his name Lloyd and Harriet, his wife’s name. In fact Harriet is one of his backing vocalists in the Happiness Voices Band.
The studio has now changed name to One Heart Studios.
The same year he released a third album Nkadangokhuza which he recorded and mastered in his new studio. In 2007 he became the first musical artist to produce a live recorded album at the then French Cultural Centre.
In 2009 he released another album called Sikuthekera Kwanga. He also produced a live DVD Volume II but was duped by distributors and was left penniless.
For three-and-a-half years Lloyd struggled to revive his career by recording artists in his studio until indeed he managed to get enough resources to release a 15-track album Sachedwa Safulumira last year.
This is where there are tracks that have taken the consumers by storm such as ‘Wonkana Yesu’ and ‘Yesu Akubwera’. He has also included Praise and Worship tracks like ‘Yehova M’busa Wanga’ and ‘Inetu Ine’.
He has now released another album just this year called Assaulted, an English-dominated album with tracks like ‘It’s by Design’ which is against homosexuality.
He also did ‘One Love’ which a Lucky Dube total imitation.

Need I say more about Lloyd Phiri’s talent?

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