Showing posts with label Tonderai Banda. Show all posts
Showing posts with label Tonderai Banda. Show all posts

Sunday, 23 September 2018

Jai Banda, the entertainment addict

Close to three decades Jai Banda has made headlines in Malawi's entertainment cycles. Very few know that he is a lawyer.

I started hearing radio adverts going as 'I am not a doctor, I am not a soldier, I am not a lawyer, I am just an entertainer' back in the days when Bright Nkhata and Makasu Band were hogging the spotlight in this country.

We might fault his touting the wattage of his equipment, the style of his organisation or argue that his most hyped best lighting system adds nothing to the music shows that he promotes. One thing we cannot look down upon is the fact that the country's entertainment industry owes him a lot.

There was a time that Jai never took my criticism kindly. Someone had organised a choir festival where over 30 performers were expected to perform from 7am to 7pm.

I was not reluctant to talk about the music equipment owned by ‘Mr. Entertainer’ himself.

My argument then was that equipment is like human beings when it comes to getting tired. Equipment cannot perform at its full capacity for six non-stop hours without showing some fatigue.

Main instruments that project quality output are supposed to come with substitutes. I had observed during this particular show that at around 6pm when 
The Ndirande Anglican Voices were taking to the stage, the equipment had lost their sharpness and was sounding hoarse and tired. The performance had to be stopped briefly.

The next day Jai extend an invitation to me to go and appreciate how much he can afford all what I had talked about.

Basically I brought this aspect just to show you how passionate Jai is to music. 

You cannot be doubting his love for the industry when you consider the list that he has been involved with having grown up within the neighbourhood that legendary Oliver Mtukudzi lived In Zimbabwe.

Just to mention but a few Jai has worked with States Samangaya and Police Orchestra, Ethel Kamwendo Banda, Ben Michael, MBC Band, Evison Matafale, Billy Kaunda, Lucius Banda. He continues to work with the Black Missionaries and all the modern great.

Having sacrificed his time to the local industry at the expense of his family, Jai decided not to just surrender and leave the stage as he concedes that years of sleepless nights are now catching up with him and he can now feel it all through.

He has decided to give the entertainment industry his own son Tonderai to take it from where he would have left off. Ever since Tonderai started I have continuously seen Jai still taking charge. It clearly shows as there might not be much take home rewards, it is very clear that his addiction to the entertainment industry is more of a blessing that it is supposed to be otherwise.

I once commented about John Nthakomwa of the Mibawa Entertainment that he is one investor that the Malawi music industry desires his replication.

Within a short time yes Nthakomwa has invested immensely in the industry. Jai's contributions might not be seen in the same light as what Mibawa has achieved in a very short period of time.

More of what Jai has achieved cannot be measured. It cannot be touched. It cannot be compared. He has done great to the industry at the time when no one ever took a serious thought about the entertainment industry.

He emerged at the time when people used to associate it with Chamba smokers. The musicians at the time were only called when it suited the corporate world. Once their end was achieved the musicians could be dumped and they cared less what their lives would turn out to be until the next time when their services would be required again.

For Jai, he has always been the all-weather friend to the industry and for that this the column makes him the inaugural recipient of its life time achiever award.



Wednesday, 2 August 2017

How long should musicians play on stage?

‘When you walk on stage you cannot walk off unless there is nothing left to give’ this is according to Brian Roemmele, an alchemist and metaphysian.

This is exactly supposed to be the case when our musicians conduct live performances.
I live just behind Motel Paradise which happens to be the common venue for musicians. Almost on monthly basis or whenever there is public holiday, Entertainers Promotion of Jai and Tonderai Banda line up a few artists that perform throughout the night and only stop at dawn.

One fallen musical great once said standard performance duration for professional live bands is 45 minutes. Live band performances are thus sold or bought in 45 minutes sets. If an artist plays for 90 minutes he/she gets $ for two sets.

Now for a reviewer and critic like me I have a problem yes, when an artist will play from 11PM to 5AM but if that’s what they have announced will be the duration of their act, then I have a very big problem when it is not done honestly.

I know that some artist is aware that they cannot last a mile; if indeed they play more than 45 minutes and the promoters are also aware of the same that’s why you will find a list like that of Police Orchestra, DNA, Sir Patricks, Anthony Makondetsa and the Black Missionaries and all their supporting cast.

Most of the times the indication is that the shows will commence from 8PM but most of the times it starts at 11PM meaning by 4 or 5 AM at least six hours of play has passed which if you base it on standard performance time, this would be a raw deal.

One other aspect is that do the artists know how much they should be out there performing?

I have seen that locally artists are neither aware of this not the need to protect their voices no wonder a few years down the road what used to be their golden voice is now replaced by some un-recognisably croaky, gruffly throaty, and guttural voice that takes away the artist’s mettle to either record more or perform.

Because naturally our bodies are not meant to overstretch some acts arts will resort to what they consider as performance enhancing substance like alcohol and drugs which in turn are taxing as they compromise the voice of musicians; that same voice that catapulted them to stardom turn them into laughing stocks once it is distorted.


Suffix & Faith show Boldness in tackling tribalism

The timing to issue the song Yobwata by Suffix and Faith Mussa would not have come at the right time considering that this is voting time a...