Let
me this week delay by a week winding up the review of the 2017 book called So
Much Things to Say: The Oral History of Bob Marley by Roger Steffens which
we have been talking about the past two weeks.
I
will start by trying to clear the misconception that suggests that Peter Tosh
and Bob Marley never saw each other eye to eye soon after the breakup of the
Wailers Band which they co-founded with Bunny Wailer.
This
unique book that tells Bob Marley tales known and unrevealed, clearly indicates
that in the mind of Tosh, the disintegration of the group, was the rebirth of three
better musical entities which was for the benefit of music lovers.
The
book quotes Tosh in verbatim: “Well, was not a
breakup, you know, is just going three different ways and sending the music in
three different directions. Was just that my inspiration was growing and my cup
filled and runneth over. . .. One man grow mango, another grow pear.”
About
the reasons that informed him to leave, Tosh says ‘it was a ras-claat and pure fuckery… the company wasn’t living
up to their side of the agreement, the respect and everything that was due, was
pushed aside. And we couldn’t take them fuckery there, because after having
twelve years of experience of what reggae music is, the first thing Chris Whitewell
(Blackwell) told us was that it would take him five years to build us. That was
after we knew all that we know, it was going to take us another five years of
twelve to build us again. I want to know what else he was going to put on us.’
When
it was clear that the three personalities that had transformed the World Reggae
face will never again operating on the same wavelength, Bunny Wailer decided to
create labels that later became his and
Tosh’s, these are the Solomonic and Intel-Diplo.
“I
brought the two of them to Peter and just say pick one and he picked
Intel-Diplo.” Wailer states in the book that the Solomonic Production was therefore
destined to be his label. He gloats that he designed the two labels and that
Intel-Diplo is very deep.
Basically,
it came from the same base of reasoning where he says the Biblical King Solomon
was an intelligent diplomat. “…I only shorted it. Either one of them would mean
just the same, because King Selassie I say we have to live as intelligent
diplomats among men, so you have to be wiser than the serpent and more harmless
than the dove’.
Another book’s
highlight is where Roger Steffens also talks about one of Bob’s albums called Burnin’. He washes his hands by writing:
“Let the final word on the eternality of Burnin’ rest with Jon Pareles, the eloquent chief
pop critic of the New
York Times.”
This is the case
because he says in 1996, the Times’s Sunday magazine celebrated its one-hundredth anniversary of
publication, and asked each of its critics to choose one work of art in their
field that they believed would survive a hundred years into the future.
Pareles chose Burnin’, immortalizing it with these eloquent
words quoted in the book:
“Bob Marley became the voice of third
world pain and resistance, the sufferer in the concrete jungle who would not be
denied forever. Outsiders everywhere heard Marley as their own champion; if he
could make himself heard, so could they, without compromises. In 2096, when the
former third world has overrun and colonized the former superpowers, Marley
will be commemorated as a saint.”
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