OG Issa is the name that is synonymous with music in
Malawi. Either our musicians became so rich or so poor because of this name.
At the time that music produced and marketed in Malawi
started coming out, is also the same time that this name made headlines all
over.
If it was not in the newspapers then it was on radio
stations, if not newspapers, in minibuses, churches and even in songs that
musicians used to sing.
Both good and bad stories came through with OG Issa running
as the sole music distributor.
Some musicians said OG Issa was an exploitative element in
the Malawi music industry albeit with no grounds to substantiate such claims. Others
said OG Issa needs to get a sky-scraping recognition for making Malawi music
what it has become.
Around 1993-94 when they started operating to now 2012 when
they have closed their biggest outlet in Limbe we are roughly talking of about
17 to 18 years in assisting musicians in the country on one hand and boosting
his business on the other.
Over the years I have discussed about ‘Greedy and
Exploitation in the Music Industry’ on these pages as well as how ‘Distributors
Steal from Musicians’.
My argument then as is the case now is that Music is
supposed to be the most sellable commodity in Malawi but in the case of the
local industry those that are reaping the fruits are not musicians themselves.
Before distributors and marketers were the only
beneficiaries in the industry, enjoying the fruits which they played little or
no part at all to produce.
They took advantage of the talented and poverty stricken
musicians who would bring hot music but had no idea how they could profit out
of it and instead what musicians have profited out of such venture is a mere
fleeting fame.
Based on my assessment, the 95 percent lion’s share the
distributor used to get out of an artist’s music and since there were devoid of
bargaining power, they just accepted to be milked without protest.
Now if you look at this kind of share and how much music
marketing dealers used to flock to OG Issa you can tell how much money one can
make in a period of 18 years.
Unlike government, investors have a time frame within
which they are going to operate by investing, market the investment, make
profits and head elsewhere, perforated and hissing out smell of money.
If government which has tried to surrender some such
businesses by way of privatisation can put in place regulatory means, there is
no way someone would just come from the blues, use a bait and throw in a line
and once he catches the kind of fish desired, they leave and go.
OG Issa used to be a major music distributor in the
country especially at its Limbe shop, which
used to carter for the rural areas where local dealers would come and buy music
in large numbers.
The reasons that owner Salim Sattar gave in necessitating closure still does
not make sense. This is perhaps the case because out of music, Sattar has created
many business ventures and because he now cared less about the fate of industry,
what he had reaped had satisfied him and what happened to the musician out
there never bore any interest in his world of profit making.
This is why along the way it became to be known as ‘OG
Issa Group of Companies' and the music section was now referred to as ‘Afri
Music Distributors’.
Music gurus are saying distributors are now failing
to make obscene profits they have enjoyed over the years because artists have
resorted to selling their own music as they are desperately trying to deal with
issues piracy which has robbed of their would have been wealth.
O.G Issa has had a share of controversies, remember when Lawrence
Mbenjere stopped selling his music through Afri Music after being tipped that
the company was allegedly swindling local artists' money through the selling of
more tape covers than those initially agreed upon.
This was also the case with late Evison Matafale who was
so angry that he broke the counter at the Limbe Shop.
The company acknowledged of bad blood with Mbenjere and at
the height of their bitter working relationship it returned to Mbenjere stock
of tape covers for his 11 albums amounting to 25 485 copies, a figure that
translated to a sum of K637 125.
This only changed when the two signed a Memorandum of
Understanding (MOC) to resume distributing and selling of his music.
Afri Music's manager Staneck Kulemero told the media at
the time that everything would be conducted in a very transparent manner where
every detail of their deals will be perfectly documented using a high-tech
computer system that will be tallying the tape covers artists bring to the
distributor against those that are sold before they can order more from him.
But before this came into effect OG Issa closed. What
happened?
No comments:
Post a Comment